Drive (2011)

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Denmark's Nicolas Winding Refn bakes an electrifying resume Hollywood filmmaking with this particular 1980s-style noir, right down towards the synth score and neon-pink credits (he released his American debut, Fear X, in 2003). Ryan Gosling puts his implacable quality to good use as a possible L.A. stunt driver whose world crumbles when he falls for the wrong woman (Carey Mulligan). Irene is hardly a femme fatale, but her incarcerated husband, Standard (Oscar Isaac), is an additional story. When her car breaks down, Driver recommends the car shop where he works together with Shannon (Breaking Bad's Bryan Cranston). The two start spending time together, however Standard returns from prison. Driver keeps his distance until he discovers that Standard owes protection money. If he doesn't pay up, Irene and their son will suffer, so Driver offers to take care of the wheel within a heist, a job with that they has more than a bit experience, because the riveting opening sequence proves. When they plan their score with Blanche (Mad Men's Christina Hendricks), Shannon is really a deal with a couple of gangsters (Albert Brooks and Ron Perlman), but once the plans collide: all hell breaks loose. In adapting James Sallis's novel, Refn builds to a bittersweet denouement, although bursts of bloodshed will test the hardiest of viewers. At its best, though, Drive is equally as gripping as Reagan-era crime dramas like To Reside and Die in L.A. and Thief. --Kathleen C. Fennessy

Ryan Gosling stars as a Hollywood stunt driver for movies by day and moonlights like a wheelman for criminals by night. Though a loner by nature, “Driver” can’t help falling in love along with his beautiful neighbor Irene (Carey Mulligan), a new mother dragged in to a dangerous underworld by the return of her ex-convict husband. After having a heist goes wrong, Driver finds himself driving defense for the lady he loves, tailgated by the syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). Soon he realizes the gangsters are after a lot more than the bag of cash and it is forced to shift gears and go about the offense.





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